Shortcuts to: Monday | Tuesday | Wednesday | Thursday
It’s IMC Leeds time again! Thousands of medievalists are at the University of Leeds on July 1-4, and I am continuing in my tradition of compiling digital humanities, digitally inflected, and DH-adjacent sessions, papers, and activities into one handy list. The total so far is a whopping 63 sessions that include at least one digital/computing presentation. (Compare this list and total with the 41 from 2018, 46 from 2017 and 36 from 2015.)
The conference indexes individual papers with the index term “Computing in Medieval Studies,” as determined by the presenter. Papers under that list are shown in blue. I have also included sessions in the conference strand “Manuscripts – Digital and Science.” Additional papers and sessions below are ones I added. Since I am not going to the conference this year, I don’t have the physical program and had to rely on the conference database to search for things, so this year’s list may be more skewed to sessions that officially tagged themselves as “Computing”, fyi.
The list includes the session number, location, session title, paper title(s) and speaker(s). The session title is also a link to the conference website’s description of the session with further information. I will also add speakers’ Twitter handles as requested.
The session number is structured like #s138 as a reminder that if you are tweeting during a session, you should use both the conference hashtag (#imc2019) AND the session hashtag (e.g. #s538). Following this protocol helps people follow particular sessions remotely.
The conference website with the full list of sessions is available here. Tweet along with @IMC_Leeds using the hashtag #imc2019. IMC has a social media policy [here], so give it a look before heading to the conference.
I am certain there are papers and sessions that I missed. Please leave a comment with a correction, an addition, or a removal.
Monday, 1 July 2019
- 11:15-12:45
- #s104 (School of Music: Lecture Theatre 4) – A Chronicle in Code: The Digital Edition of the Chronicle of Matthew of Edessa
- Computational Graph Models for Critical Text: A Case Study, Schiwa Aliabadi-Pongratz
- Shifting Timelines: The Chronological Puzzles of the Chronicle, Tara L. Andrews and Tatevik Atayan
- #s116 (Michael Sadler Building: Room LG.15) – Network Analysis for Medieval Studies, I: Network Analysis of Medieval Charters
- Dynamic Networks of Scottish Charter Witnesses, Continued, Matthew H. Hammond
- Reading, Connecting, and Visualising the Condaghes: The Networks of Medieval Sardinia, Hervin Fernández-Aceves
- Dealing with Data Loss: Network Analysis with Incomplete Datasets, Joe Chick
- #s124 (Stage@leeds: Stage 3) – Manuscript Rolls: New Digital and Scientific Approaches
- New Zealand’s Canterbury Roll: A Case Study in Digitisation, Chris Jones
- Scientific Imaging and Spectroscopic Analysis of the Canterbury Roll: Some Preliminary Results, Haida Liang
- Contextualising the Canterbury Roll with the ‘Noah’ Tradition of 15th-Century Royal Genealogies, Natasha Ruth Hodgson
- #s146 (School of Music: Lecture Theatre 1) – Games for Teaching, Impact, and Research, I: Commercial Games and the Middle Ages
- Declaiming Dragons: Empathy Learning and Skyrim in Teaching Medieval Rhetorical Schemes, David DeVine
- Medieval Games and Modern Gamers: Using Tafl and Video Games in Medieval Classes, James Neel
- #s104 (School of Music: Lecture Theatre 4) – A Chronicle in Code: The Digital Edition of the Chronicle of Matthew of Edessa
- 14:15-15:45
- #s207 (Michael Sadler Building: Rupert Beckett Theatre) – England and Scotland at Peace and War in the Later Middle Ages, II
- What’s in Scotland’s Earliest Legal Treatise (and What Does Glanvill Have to Do with It)?, Alice Taylor
- #s213 (Clothworkers Court: Speakman Lecture Theatre) – Legal Texts and Their Readers: Using Law in Medieval Europe, II – Clavis Canonum 2.0, Investigating and Using Medieval Canon Law Texts
- The Future of the Clavis Canonum Database: A Technical Perspective, Clemens Radl
- #s216 (Michael Sadler Building: Room LG.15) – Network Analysis for Medieval Studies, II: Episcopal Networks
- The Networks of Bishop Gilbert Foliot of London and Master David of London, Catherine Healy
- Networks in the Gregorian Era: The ‘Register’ of Bishop Lambert of Arras, Nicolas Ruffini-Ronzani
- Clerics as Messengers and Envoys in the Networks of Frederick II, Benjamin Torn
- #s224 (Stage@leeds: Stage 3) – Digital Materiality, I: The Digital Edition and Materiality
- A Dimorphic Edition of Medieval Charters: The Documents of the Abbey Santa Maria della Grotta (near Benevento), Antonella Ambrosio, Vera Isabell Schwarz-Ricci
- Artificial Intelligence, Handwritten Text Recognition (HTR), Distant Reading, and Distant Editing, Dominique Stutzmann
- Modelling Materiality: Representing a Manuscript’s Material Features Using CIDOC CRM, Daniela Schulz
- #s246 (School of Music: Lecture Theatre 1) – Games for Teaching, Impact, and Research, II: Creating Games about the Middle Ages
- ‘But I don’t want to be a slave!’: Video Games as Dramatic Engagements with the Past, Juan Hiriart
- #s207 (Michael Sadler Building: Rupert Beckett Theatre) – England and Scotland at Peace and War in the Later Middle Ages, II
- 16:30-18:00
- #s313 (Clothworkers Court: Speakman Lecture Theatre) – Legal Texts and Their Readers: Using Law in Medieval Europe, III – Authority and Innovation
- Regesta decretalium et extravagantes: The Use of Papal Decretals around 1200, Gisela Drossbach
- #s316 (Michael Sadler Building: Room LG.15) – Network Analysis for Medieval Studies, III: Networked Texts
- Historian versus Machine: Testing the Validity of Automated Network Extraction from Inquisitorial Records, David Zbíral
- Networks of Alchemical Symbols: Selected Early Prints from Bohemia, Zdenko Vozár
- Establishing Scribal Networks from Stemmas: The Case of Njáls Saga, Alaric Hall
- #s324 (Stage@leeds: Stage 3) – Digital Materiality, II: How to Represent Materiality Digitally in Palaeography and Codicology?
- Modelling Writing: Towards a Conceptual Reference Model for Palaeography, Peter A. Stokes
- Book Covers as Material Objects: Possibilities and Challenges in the Brave New Digital World, Carolin Schreiber
- On the Epistemological Limits of Automatic Classification of Scripts, Marc H. Smith
- #s345 (Parkinson Building: Room 1.08) – Writing Stones: Describing Urban Materialities in Late Antiquity and the Early Middle Ages, II
- Power over Civitas: Control of Urban Space in Early Medieval Charters of the Former Roman Rhine Frontier, Mateusz Fafinski
- #s346 (School of Music: Lecture Theatre 1) – Games for Teaching, Impact, and Research, III: Engaging and Discussing the Middle Ages through Games
- ‘I do not recall history being this interesting’: Playing the Battle of Bannockburn, Laura Harrison
- Gamifying Aural History: The York Mystery Plays, Mariana Lopez
- Beyond Education and Impact: Games as Research Tools and Outputs, Robert Houghton
- #s349 (Stage@leeds: Stage 2) – Spatiality in the North: Infrastructure for Spatial Digital Humanities Projects, Challenges, and Solutions in the Nordic Countries, I
- Approaching Medieval Macrospace through GIS: Experiences from the Norse World Project, Alexandra Petrulevich
- Icelandic Saga Map Data: Stock-Taking, Connection-Making, Emily Lethbridge
- The Spatiality of Saints: Mapping Cults in Medieval Scandinavia, Sara Ellis Nilsson
- #s313 (Clothworkers Court: Speakman Lecture Theatre) – Legal Texts and Their Readers: Using Law in Medieval Europe, III – Authority and Innovation
- 19:00-20:00
- #424 (Clothworkers Court: Lecture Theatre G.12) – Materiality in Digital Editing – State of the Art: A Round Table Discussion
- Participants include Alberto Campagnolo, James Cummings, Lisa Fagin Davis, Franz Fischer, Daniela Schulz, and Georg Vogeler
- #s449 (Stage@leeds: Stage 2) – Spatiality in the North: Infrastructure for Spatial Digital Humanities Projects, Challenges, and Solutions in the Nordic Countries, II – A Round Table Discussion
- Participants include Agnieszka Backman, Anna Foka, Emily Lethbridge, Alexandra Petrulevich, and Marcus Smith
- #424 (Clothworkers Court: Lecture Theatre G.12) – Materiality in Digital Editing – State of the Art: A Round Table Discussion
Tuesday, 2 July 2019
- 9:00-10:30
- #s504 (Parkinson Building: Room B.09) – Prosopography, Social Network, and Materialities
- Visualizing the Social Networks of Early Medieval Pilgrims, Courtney Luckhardt
- #s524 (Parkinson Building: Nathan Bodington Chamber) – Post-Medieval Manuscripts and Material Engagements with the Early Middle Ages, I
- The Ideal Book from Morris to Hubbard: Medieval Manuscripts’ Influence, 1890-1925, Elaine Treharne
- Medieval Matters after 1945: From Bryher to Joan Jonas, Clare A. Lees
- Innovation and Abstraction: A History of Lettering from Insular Manuscripts to David Jones and Nicolete Gray, Francesca Brooks
- #s546 (School of Music: Lecture Theatre 1) – Playing the Middle Ages, I: Race, Religion, and Nationalism in Digital Games
- Coding Whiteness: Exploring White Normativity as Design Feature in Medieval Fantasy Games, Victoria Cooper
- Subverting the Valiant Crusader: The Sarafan in the Legacy of Kain: Soul Reaver, Liam McLeod
- Historical Nationalism in Strategy Games, John Hopley
- #s504 (Parkinson Building: Room B.09) – Prosopography, Social Network, and Materialities
- 11:15-12:45
- #s624 (Parkinson Building: Nathan Bodington Chamber) – Post-Medieval Manuscripts and Material Engagements with the Early Middle Ages, II
- Parentheticals as Glosses in Brian Lee’s (New) Middle English Alice’s Adventures in Wonderland, Denis Ferhatović
- Ancient Language, Landscape, and Hybridity in Experimental Poetic Practice, Rowan Evans
- The Textuality and Materiality of Runes in Modern Verse and Design, Peter Buchanan
- #s628 (Parkinson Building: Room 1.08) – Mappings, II: Place(ment) and Possibilities
- Conversing between Maps: Developing a Dataset of Normalized Latin Toponyms across Medieval Mappaemundi, Heather Gaile Wacha
- #s630 (Parkinson Building: Room B.08) – Rethinking the Medieval Frontier 2018, II: Administration and Control
- The Distribution of Bordering Power in Late Medieval Hungary, Davor Salihović
- #s624 (Parkinson Building: Nathan Bodington Chamber) – Post-Medieval Manuscripts and Material Engagements with the Early Middle Ages, II
- 14:15-15:45
- #s701 (School of Music: Lecture Theatre 3) – New Voices in Anglo-Saxon Studies, I
- Using Machine Learning to Identify Old English Poetic Style, Ravi Mynampaty
- #s718 (University House: Beechgrove Room) – Breaking the Mould, I: Digital Approaches to Preserving and Accessing Seals Collections
- Record Series PRO 23: Unsealing Collections, Amy Sampson
- Heroes and Monsters in Wax: Using Reflectance Transformation Imaging (RTI) to Record Medieval Impressions of Antique Gemstones, John McEwan
- #s724 (Parkinson Building: Nathan Bodington Chamber) – Fragments: Texts Reduced to Objects
- Fragments as Evidence of Learned Environments: The Example of 12th-Century Trondheim, Åslaug Ommundsen
- Reconstructing Lost Contents Using Paratextual Evidence: Alphabetum Disticcionum of Master Mathias of Sweden, Sanna Supponen
- Chaos or a Master Plan?: The Process of Recycling Manusripts in the Benedictine Abbey of Mondsee, Katharina Kaska
- Manuscript Waste Fragments: Identifying the Bindings from Which They Were Removed, Jennifer Murray
- #s746 (School of Music: Lecture Theatre 1) – Playing the Middle Ages, II: Pop-Culture in Games / Pop-Culture and Games
- Historia y Videojuegos: Representing the Middle Ages in Videogames, Ignacio Medel Marchena
- Pawns and Kings: Medieval Games as Narrative in the Harry Potter Books and Games, Eglantine Pillet
- Matilda di Canossa and Crusader Kings II: (Papal) Warrior Princess, Blair Apgar
- #s754 (Emmanuel Centre: Room 2) – Medieval Materialities and Modern Technologies: New Research Directions, I
- Recovery of Damaged and Erased Writing in Manuscripts and Palimpsests with a Mobile Multispectral Imaging System at CSMC, Ivan Shevchuk
- Ink Analysis and Palaeography: Reconstructing the Production of Medieval German Multiple-Text Manuscripts, Marco Heiles
- Is That Really a Sheep?: The Case of a Ritualised Production of Ethiopian Protective Scrolls, from Oral Tradition to Scientific Evidence, Antonella Brita
- #s701 (School of Music: Lecture Theatre 3) – New Voices in Anglo-Saxon Studies, I
- 16:30-18:00
- #s803 (School of Music: Lecture Theatre 4) – Dante in the 20th Century and Beyond
- The Reception of Dante in Global Wikipedias, Jacob Blakesley
- #s814 (University House: Great Woodhouse Room) – The Origins of the Military-Religious Orders, IV: Foundation, Re-Foundation, and Recreation
- New Materials and Multidisciplinary Methods for Discovering the Livonian Swordbrothers’ Crusade History in the Baltic and the Russian Interior, 1186-1236, Dana Cushing
- #s824 (Parkinson Building: Nathan Bodington Chamber)- Materiality to Virtuality: The Reconstruction of Manuscript Libraries
- Pauperum magistrorum libri in Transition: Retracing the History of the Sorbonne Manuscripts through the Bibale Database, Antoine Brix
- The Formation of the Manuscript Collection of Charles William Dyson Perrins: Using the Schoenberg Database of Manuscripts to Generate New Research Questions, Laura Cleaver
- ‘There never was such a collector since the world began’: Tracing the Manuscript Collection of Sir Thomas Phillipps in the Digital World, Toby Burrows
- #s846 (School of Music: Lecture Theatre 1) – Playing the Middle Ages, III: Representation and Balance in Historical Games
- The Representation of Medieval Gender Identities in Fantasy Role-Playing Games, Markus Mindrebø
- Representing the Medieval through Mechanics: A Case Study of A Feast for Odin, Adam Bierstedt
- Selected Skins: Deconstructing Race in The Sims Medieval, Jasper Chopping
- #s854 (Emmanuel Centre: Room 2) – Medieval Materialities and Modern Technologies: New Research Directions, II
- Material Science Methods for Reconstructing the History of Manuscripts, Olivier Bonnerot
- The Interdisciplinary Alchemist: Reproduction and Study of Black Inks from the Islamicate World, Claudia Colini
- Ink and Colour Identification in Medieval Music Manuscripts, Andreas Janke
- #s803 (School of Music: Lecture Theatre 4) – Dante in the 20th Century and Beyond
- 19:00-20:00
- #s916 (Leeds University Union: Room 5) – Networked Middle Ages: The Opportunities and Challenges of Network Analysis – A Round Table Discussion
- Participants include Julia Hillner, David Natal Villazala, Johannes Preiser-Kapeller, and David Zbíral
- #s924 (Clothworkers Court: Speakman Lecture Theatre) – The Polonsky Foundation England and France Project: Manuscripts from the British Library and the Bibliothèque nationale de France, 700-1200 – A Round Table Discussion
- Participants include Tuija Ainonen, Alison Ray, and Joanna Story
- #s916 (Leeds University Union: Room 5) – Networked Middle Ages: The Opportunities and Challenges of Network Analysis – A Round Table Discussion
Wednesday, 3 July 2019
- 9:00-10:30
- #s1003 (School of English: Seminar Room 1) – Watermarks from Briquet to Digital: Old Methods, New Tricks
- The Bernstein Project: Something Old, Something New, Something Borrowed, Something True, Emanuel Wenger
- Briquet Reloaded: Renewing a Great Repertory in Lyon, Ilaria Pastrolin
- Charles-Moïse Briquet as a Tourist in Udine in August 1898, Neil Harris
- #s1012 (Michael Sadler Building: Rupert Beckett Theatre) – Late Antique and Early Medieval Networks, I: Exploring a Quantitative Approach – Projects and Tools
- Connected Clerics: Building a Universal Church in the Late Antique West, 380-604, Victoria Leonard
- OpenAtlas: An Open Source Application to Map Historical Data with CIDOC CRM, Alexander Watzinger
- Clerical Networks after a State Collapse: The Case of 1204 and a New Project on the Nicaean Empire, Ekaterini Mitsiou
- #s1016 (Leeds University Union: Room 5) – Crossing Boundaries: The Materiality of Medieval Boundaries and Borders in Northern Britain
- Communities of the Tweed: Power and Place on the Medieval Anglo-Scottish Border, Aubrey Steingraber
- #s1024 (Michael Sadler Building: Room LG.17) – Researching, Digitising, and Curating Complex Manuscripts: Examples from Medieval Scotland
- Digitisation of Composite Manuscripts: Some Recent Projects and Initiatives, Andrew Prescott
- Digitisation in the Context of Multi-Scribe Cartularies: Examples from Medieval Scotland, Joanna Tucker
- Digitisation in the Context of a Stratigraphic Edition: The Example of the Chronicle of Melrose, Dauvit Broun
- #s1050 (Clothworkers Building South: G.14) –The Use of Water and Wetlands at the End of the Early Middle Ages, I: Perception and Formation of Water and Wetlands
- Prospection, Reconstruction, Modelling: A Geoscientific Perspective on (Early) Medieval Wetlands, Johannes Schmidt
- #s1003 (School of English: Seminar Room 1) – Watermarks from Briquet to Digital: Old Methods, New Tricks
- 11:15-12:45
- #s1112 (Michael Sadler Building: Rupert Beckett Theatre) – Late Antique and Early Medieval Networks, II: Patterns of Dissemination
- Network Failure?: Connectivity and Fragmentation in the Late Antique Mediterranean, Johannes Preiser-Kapeller
- Networks of Glass: New Findings from a Late Antique-Medieval Quarter from Ephesus, Luise Schintlmeister
- Networks of Cemeteries: Early Medieval Burials from Austria and the Czech Republic as Object-Oriented Networks, Stefan Eichert
- #s1116 (Leeds University Union: Room 5) – Tracing Materialities in the Byzantino-Serbian Border Zones in Macedonia, 13th-14th Centuries
- The (Im)Material Imperial in a Contested Area: The Attribute ‘Tsar’ in the Toponymy of Byzantine Macedonia, Mihailo Popović
- Tracing Material Culture in Northern Macedonia via Spatial Visualisation (GIS), Bernhard Koschicek
- Digitising and Archiving Cultural Heritage in DPP / OpenAtlas on the Example of the Tabula Imperii Byzantini, Veronika Polloczek
- #s1124 (Michael Sadler Building: Room LG.17) – Material Analysis in Manuscripts Studies: Tools and Results
- Medieval Manuscripts in the Focus of Centre of Image and Material Analysis in Cultural Heritage (Vienna), Bernadette Frühmann and Manfred Schreiner
- X-Ray Fluorescence: Available Methods and Equipment, Leif Glaser
- New Worlds: Multispectral Imaging and Mappaemundi, Helen Davies
- #s1141 (School of English: Seminar Room 4) – Text as Material Artefacts: Archaeology of ‘Materiality’ as a Research Concept, 15th-21st Century, II
- Material Texts or Virtual Objects?: Descriptions in Later Medieval and Early Modern Catalogues and Inventories, Hanno Wijsman
- Manuscript Materiality, Description, and Data Modeling: The Schoenberg Database as a Historiographical Resource, Lisa Fagin Davis
- #s1112 (Michael Sadler Building: Rupert Beckett Theatre) – Late Antique and Early Medieval Networks, II: Patterns of Dissemination
- 14:15-15:45
- #s1203 (Michael Sadler Building: Banham Theatre) – Enhanced Access to Texts: Online Sources, Optical Character Recognition (OCR), and Multispectral Imaging
- The Internet Medieval Sourcebook: Intentions and Impacts, Paul Halsall
- Using Optical Character Recognition (OCR) to Transcribe Medieval Manuscripts, Gianmarco Saretto and Jenna Schoen
- ‘Miraculen’: Multispectral Imaging and the Recovery of a Lost Spieghel Historiael Fragment, Daan Doesborgh and Stef Uijens
- #s1212 (Michael Sadler Building: Rupert Beckett Theatre) – Late Antique and Early Medieval Networks, III: Imagined Connections
- Gendered Networks in Late Antique and Early Medieval Church Histories, Máirín MacCarron
- Networking Helena Augusta, Julia Hillner
- Isidore’s Etymologiae as a Window into Carolingian Intellectual Networks, Evina Steinová
- #s1214 (Parkinson Building: Room B.22) – Medieval Vernacular Corpora and Digital Textual Analysis, I: Text Creation – A Workshop
- #s1240 (Clothworkers Court: Speakman Lecture Theatre) – Byzantine Materialities, III: Contemporary Approaches and Patronage
- Materiality and Manuscript Studies in the Digital Era, Kallirroe Linardou
- #s1251 (Social Sciences Building: Room 10.07) – Presenting and Representing Medieval Arms and Armour
- Cutting Edge Archives: Presenting Collections in the Digital Age, Dale Utt
- #s1203 (Michael Sadler Building: Banham Theatre) – Enhanced Access to Texts: Online Sources, Optical Character Recognition (OCR), and Multispectral Imaging
- 16:30-18:00
- #s1303 (Michael Sadler Building: Banham Theatre) – The Dark Side of Digitization: How Virtual Collections Shape Research
- Creating a Virtual Collection: How Institutional Policies Shape Our Understanding of Medieval Libraries, Tjamke Snijders
- Lost in Digital Wonderland: Material Culture and Digital Literacy, Irene van Renswoude
- The Digital Miscellany: Fragmentation and Unity in the Online Presentation of a Manuscript – A Case Study, Suzette van Haaren
- #s1312 (Michael Sadler Building: Rupert Beckett Theatre) – Late Antique and Early Medieval Networks, IV: Agency and Strategies
- Rebuilding Clerical Networks: Controversy and Political Crisis in Early 5th-Century Gaul, David Natal Villazala
- Studying Clerical Relationships with the ‘Presbyters in the Late Antique West’ Database, Marta Szada
- About Holy Inheritance Hunters, Frivolous Nuns, and Liberated Women: A New Approach to the Agency and Network Strategies of Widows in Late Antiquity, Maik Patzelt
- Ennodius the Lobbyist: Intermediaries, Requests, and Network Emergence in the Ostrogothic Kingdom, Daniel Knox
- #s1314 (Parkinson Building: Room B.22) – Medieval Vernacular Corpora and Digital Textual Analysis, II: Text Analysis – A Workshop
- #s1316 (Leeds University Union: Room 5) – Materialities of Antipodal Medievalism: Displaced Materiality and Cultural Consumption of the Northern Middle Ages for the Peripheral Medievalist
- The Reading Room Is Closed: Paper Boundaries, Digital Horizons – The Laurentian Library, Florence, Raichel A. Le Goff
- The Global Modern Manuscript: Finding Free and Accessible Medieval Sources, Kimberly Klimek
- #s1319 (Fine Art Building: Seminar Room 2.09) – Coins in Medieval Material Culture, IV: England and Scandinavia
- Understanding Coin Use in Medieval England: The Corpus of Early Medieval Coin Finds (EMC), Martin Allen
- #s1322 (Social Sciences Building: Room 10.07) – Understanding the Landscapes of al-Andalus
- New Insights on Old Stones: The Alpujarra’s Fortification Network (Granada) through Spatial Analysis, Jorge Rouco Collazo
- The Medieval Siege of Alcala la Vieja: Looking for the Attack Route through Geographic Information Systems (GIS), Mario Ramirez Galan
- #s1303 (Michael Sadler Building: Banham Theatre) – The Dark Side of Digitization: How Virtual Collections Shape Research
- 19:00-20:00
- #s1426 (Stage@leeds: Stage 1) – Digital Materialities: Diverse Approaches to the Investigation of East-West Relationships in the 11-13th Centuries – A Round Table Discussion
- Participants include Tara L. Andrews, James Baillie, Johannes Preiser-Kapeller, Sarah Savant, and Mária Vargha
- #s1426 (Stage@leeds: Stage 1) – Digital Materialities: Diverse Approaches to the Investigation of East-West Relationships in the 11-13th Centuries – A Round Table Discussion
Thursday, 4 July 2019
- 9:00-10:30
- #s1523 (Leeds University Union: Room 4) – Global Manuscripts: Materials, Materialities, Materialisms, I – (Un)Materialities
- Reading the (Un)Blank Parchment Page, James D. Sargan
- From the Divine to the Digital: Digitisation as Resurrection and Reconstruction, Keri Thomas
- What It Is to Be a Digitization Specialist: Chasing Medieval Material in a Sea of Pixels, Astrid Johannah Smith
- #s1524 (University House: Cloberry Room) – Biocodicology: Revealing the Biological Biographies of Books
- Insular Parchment on the Continent, Joanna Story
- What Lies Beneath: Biological Effects of Parchment Manufacturing, Carla Soto Quintana
- The Message in the Medium: Using Visual and Biomolecular Analysis to Illuminate Manuscript Production, Jiri Vnoucek
- #s1526 (Laidlaw Library: Teaching Room 2) – Materiality in Series, I: Serial Manuscript Production
- Manuscript Production of Verse Romances in French: Re-Grouping Objects, Re-Thinking Texts, Piero Andrea Martina
- #s1523 (Leeds University Union: Room 4) – Global Manuscripts: Materials, Materialities, Materialisms, I – (Un)Materialities
- 11:15-12:45
- #s1626 (Laidlaw Library: Teaching Room 2) – Materiality in Series, II: Text Series in Manuscripts
- The Lives of Saints in Series: A Perspective from Old French Manuscripts, Ariane Pinche
- #s1626 (Laidlaw Library: Teaching Room 2) – Materiality in Series, II: Text Series in Manuscripts
- 14:15-15:45
- #s1708 (Parkinson Building: Room B.09) – Only Time Will Tell?: On Prognostic Thinking in Early Medieval Life
- Thinking Inside the Box?: The Problem of Genre and Prognostic Texts in 8th- and 9th-Century Manuscripts, Annemarie Veenstra
- A Dark Cloud on the Horizon: On Brontologies, Brontological Thinking, and Thunder as a Predictive Force in the Early Medieval Mind, Bram van den Berg
- Luna VIII: A Medicus curabitur – Prognostic Texts as an Aid for the Medieval Medic, Ria Paroubek-Groenewoud
- #s1726 (Laidlaw Library: Teaching Room 2) – Materiality in Series, III: Serial Analysis and Materiality
- Can We Explore the Materiality of Charters Using Digital Methods?, Nicolas Perreaux
- Serial Analysis of Manuscript Features: Placing Epic Manuscripts inside French Vernacular Production, Jean-Baptiste Camps
- Serial Analysis: The Materiality and Texts of Relic Labels, Kirsten Wallenwein
- #s1748 (School of Music: Foyer) – Transmitting Knowledge, III: ‘Accessing Materiality’
- Sense and Sensibility: Digitised Medieval Maps, Gerda Brunnlechner
- Transmitting Materiality in Digital Editions, Hellmut Braun
- Harvesting Library Catalogues to Build a Digital Network of Medieval Manuscripts: An ERC-Funded Project on Patristic Sermons in the Middle Ages, Shari Boodts
- #s1708 (Parkinson Building: Room B.09) – Only Time Will Tell?: On Prognostic Thinking in Early Medieval Life